MAD TRIBE is a collaboration between SPACE TRIBE &amp; MAD MAXX (Olli Wisdom &amp; Max Peterson).&nbsp;They started making music together in 2005 clicking immediately with a shared vision for a full power psychedelic sound with twisted sense of humor. MAD TRIBE received fantastic response to their first album ”SPACED OUT”&nbsp;on TIP records 2015, bringing a juicy psychedelic experience, guaranteed to spark all 6 senses. Since then, Mad Tribe has released one more album, followed by many tracks featured on their innovative cutting edge designed vinyl picture discs, and complete with lenticular cover on their hit release “Fake Guru”. Mad Tribe have been rocking festivals and clubs all over the world, presenting to you their new “Mad Tribe Experience” visual show! Mad Tribe are visiting this planet somewhere near you, so prepare for abduction! Mad Tribe... You don’t have to be Mad, But.…

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Foreign Beggars were an English hip hop and dubstep group. Since their formation in 2002, the group's trajectory had seen them evolve from an underground hip hop group to an electronic crossover act.&nbsp;The group consisted of four artists individually known as Orifice Vulgatron (Pavan Mukhi, vocals), Metropolis Graham (Ebow Enyan Graham, vocals), DJ Nonames (James Miller, turntables), and Dag Nabbit (Dag Torgersbraten, producer). Vulgatron and Metropolis combined with Noisia to make the side project and supergroup 'I Am Legion'.They released their collaborative album I Am Legion on 2 September 2013. Foreign Beggars made their start producing several singles and albums on their own Dented Records imprint. In 2011 they teamed up with the Never Say Die label on The Harder They Fall EP.Following a diverse series of singles for mau5trap released in 2012, the group released its new album The Uprising on the deadmau5-helmed label. In celebration of the release of the album, Foreign Beggars went on UK and North American tours to showcase their new material in the live arena.

Hip-Hop/Rap

Foreign Beggars

Born and raised in L.A., Doja Cat made her first upload to Soundcloud in 2013 at just 16-years-old. She developed a knack for music by studying piano and dance as a kid and listening to the likes of Busta Rhymes, Erykah Badu, Nicki Minaj, Drake, and more. Soon, she went from obsessing over Catwoman (the Halle Berry version) to “crate digging” on YouTube. 
 
Signed to Kemosabe/RCA during 2014, she unveiled her acclaimed Purrr! EP. Its lead single “So High” impressively racked up over 30 million cumulative streams and garnered praise from tastemakers such as Fader, Vibe, Paper, Pigeons & Planes, and more. 

Cooking up vibrantly, candy-coated beats, dropping bars doubled-up on double entendre, and singing with claws out, Amala unlocks a sweetly sexy world soundtracked by wild hip-hop, twisted pop, and smoked-out R&B. Asserting a feline-esque dominance and a style that can only be described as every color in a box of crayons, Doja Cat’s unapologetic charisma, charm, and confidence immediately take center stage. 
 
In August 2018, she released what would become her viral hit “Mooo!” which enjoyed over 10 million views on YouTube and Twitter in just a couple of days and was met with critical acclaim. In March 2019, she released the Amala Deluxe album which included her brand new song “Juicy.” 
 
With the release of Hot Pink, Doja’s ability to create hit records that are uniquely her own are what will continue to make her a standout act in 2019.

Doja Cat

Dirty Dan is a 7 time #1 selling techno and house producer/dj, launching his career early on at NYC's infamous The Sound Factory with a stint as lighting technician. Dan's ensuing adventures in music as an event promoter, in-demand DJ, and music producer take him around the world, performing alongside house music's glitterati. Fresh Farm Music, the label founded by Dirty Dan and afro-house master Oscar P, continues to pump out #1 charting singles on Traxsource and Beatport. And his latest contributions, as a sound designer for best-selling Native Instruments sample packs and an Ableton Live educator, cement his role in house music's evolution. Dirty Dan remains immersed in the music and guided by the beats.

Electronic

Dirty Dan

Ever since her breakthrough, Loreen has spellbound audiences with her incredible vocals, moving lyrics and unique artistic expressions. As she now enters a new chapter musically, she’s doing it with a clearer vision than before: to continue building bridges between different cultures, beliefs and traditions. 

For this new chapter Loreen’s allowed herself to play with her own artistry more than ever. The contrasts that have characterised her as an artist, where male meets female, and where her Moroccan Berber influences meet modern electronic production. 

“My approach to music might differ a bit compared to many others. I’m a nomad with my roots in the Atlas Mountains, where music and sound are used for the purpose of healing - which I consider is my purpose too. I always ask myself, what can I offer that will move – and engage more people to conversations?”

In May 2022, the world got its first taste of Loreen’s new musical direction, when Loreen released her new single, Neon Lights, a bombastic electropop track with swirling synth loops. Loreen’s new music that will be released successively throughout the year, has a harder electronic sound, inspired by how she has structured her live shows in recent years.

“When I play live, I have a dirtier, more experimental sound. There’s something beautiful about playing with contrasts. Singing aggressively over calm chords or singing delicately over a hard beat. Experimenting with the energies of a song.”

Loreen

Producer, DJ and songwriter Calvin Harris stands as the figurehead for modern dance music, having broken world records and dominated the charts.

Calvin Harris

Ariana Grande is perhaps the quintessential pop star of the last half of the 2010s, capturing the era's spirit and style. Emerging in 2013 with the hit single "The Way," Grande initially appeared to be the heir to the throne of Mariah Carey, due in part to her powerhouse vocals. With its Babyface production, her debut Yours Truly underscored her debt to '90s R&B, but Grande quickly incorporated hip-hop and EDM into her music. "Problem," a 2014 smash duet with Iggy Azalea, was the first indication of her development, an evolution reinforced by the hits "Bang Bang" and "Love Me Harder," which featured Jessie J & Nicki Minaj and the Weeknd, respectively. Grande maintained her popularity with 2016's Dangerous Woman, then really hit her stride with 2018's Sweetener and its swift sequel Thank U, Next, whose title track became her first number one pop hit. That achievement was quickly equaled by "7 Rings," a glitzy anthem for the Instagram age that consolidated her stardom and artistry, as well as "Positions," the lead single from 2020's R&B-heavy album of the same name.

A native of Boca Raton, Florida, where she was born in 1993 to graphic designer Edward Butera and Joan Grande (the CEO of Hose-McCann Communications), Grande began singing and acting at an early age, appearing in local theater productions. In 2008, when she was 15, she landed the role of Charlotte in the Broadway production of 13; her performance was well-received, and she won a National Youth Theatre Association Award. Following an appearance in the 2010 Desmond Child-written musical Cuba Libre, Grande was cast as Cat Valentine in the Nickelodeon television program Victorious. The show ran until 2012, at which time Grande's Cat Valentine was spun off into a show called Sam & Cat, which also starred Jennette McCurdy of iCarly.

As she kept herself busy with television, Grande began to pursue a musical career. She frequently made appearances at sporting events and with symphonies, and she made her first appearances on record with the soundtrack to Victorious. In 2011, she released the single "Put Your Hearts Up," which was cut during sessions for a teen-oriented pop album; she later disowned the single due to its kiddie feel. Grande felt much more comfortable with "The Way," her 2013 single featuring Mac Miller. This signaled a mature direction and audiences responded, taking it to the Top Ten in the U.S., where it was eventually certified triple platinum. It was the first single from her 2013 debut, Yours Truly, which also featured hits in "Baby I" and "Right There."

At the end of the year she released a seasonal EP called Christmas Kisses, but her real efforts went into the recording of her second album, My Everything. Preceded by the single "Problem" -- a song that featured a guest spot from Iggy Azalea, the "It girl" of the summer of 2014; it peaked at two on the U.S. charts and was certified double platinum -- the album featured a host of different producers, including Max Martin, Shellback, Ryan Tedder, and Benny Blanco. It was released at the end of August 2014, hitting number one on charts across the globe. Subsequent singles featured assists by Zedd ("Break Free"), Jessie J & Nicki Minaj ("Bang Bang"), and the Weeknd ("Love Me Harder"). At one point in 2014, three of her songs were in the Billboard Top Ten at the same time, a feat matched only be Adele. By the time fifth single "One Last Time" charted in early 2015, My Everything had sold nearly 600,000 copies. 

As that album's cycle wound down, Grande guest-starred on Ryan Murphy's campy slasher series Scream Queens and she also recorded another holiday EP, Christmas & Chill. In October 2015, Grande released the single "Focus," which debuted at number seven on the Hot 100 and was certified platinum the following January. That February, she announced her third album, Dangerous Woman, and released the album's title track as a single in March. The song hit number eight on the Hot 100, making Grande the first artist to have the lead single from each of her first three albums debut in the Top Ten. Featuring collaborations with Macy Gray, Future, and Nicki Minaj, the album appeared in May 2016 and debuted at number two. It eventually went platinum, helped by a trio of Top Ten hits and a Grammy nomination for Best Pop Vocal Album. Grande began 2017 by duetting with John Legend on "Beauty and the Beast," the title track for Disney's live-action remake of the 1991 animated classic. She then mounted her Dangerous Woman Tour, performing across North America and Europe during the first half of 2017. 

Tragedy struck on May 22, 2017, when a suicide bomber attacked Grande's concert at the Manchester Arena in Manchester, England. Grande returned to performing on June 4, when she held a star-studded charity concert called One Love Manchester to aid the victims of the bombing. Following the show, she resumed the Dangerous Woman Tour, which concluded in Hong Kong that September.

In April 2018, Grande kicked off promotion for her fourth album, Sweetener, by issuing the single "No Tears Left to Cry," which debuted at number three on the Hot 100. It was followed by "God Is a Woman" later that year. Upon its release in August 2018, Sweetener debuted at number one in both the U.S. and U.K. 

Three months after the release of Sweetener, Grande returned with the non-LP single "Thank U, Next." Quickly becoming an internet sensation, "Thank U, Next" shot to number one throughout the world, as did Grande's next single, "7 Rings." Both songs were featured on the full-length album Thank U, Next, which appeared in February 2019. Her fourth U.S. number one, the set also topped the charts in over a dozen countries, further buoyed by third single "Break Up with Your Girlfriend, I'm Bored." Mere months after the release of Thank U, Next, Grande moved on with a series of collaborations, including "Monopoly" with Victoria Monet, "Boyfriend" with Social House, and the Charlie's Angels reboot theme "Don't Call Me Angel" with Miley Cyrus and Lana Del Rey. Capping off the year, Grande was nominated for five Grammy Awards: Album of the Year and Best Pop Vocal Album for Thank U, Next, Record of the Year and Best Pop Solo Performance for "7 Rings," and Best Pop Duo/Group Performance for "Boyfriend." She capped this prolific period with k bye for now, a live album recorded at various stops throughout her 2019 Sweetener World Tour.

Grande had duets reach the top of the Billboard charts in early 2020 -- first it was "Stuck with U" with Justin Bieber, then it was "Rain on Me" with Lady Gaga -- before she launched her next album, Positions, with the release of its title track. The single reached number one just before the October 30 release of the album, which crowned the Billboard 200. ~ Stephen Thomas Erlewine, Rovi

Ariana Grande

Within five years of his debut, American rapper and singer/songwriter Post Malone went from genre novelty to certified superstar, amassing a string of Top Ten singles with a hybrid style that combined his unique vocal delivery, pained lyrics, and hip-hop production inspired as much by Tim McGraw as Kanye West. After the release of his 2015 quintuple-platinum single "White Iverson," off debut Stoney, he quickly ascended to the top of the pop mainstream in the late 2010s with a succession of multi-platinum hits that included chart-toppers "Rockstar" with 21 Savage and "Psycho" with Ty Dolla $ign from 2018's number one Grammy-nominated album Beerbongs & Bentleys, and the Grammy-nominated "Sunflower" with Swae Lee from 2019's Hollywood's Bleeding. His fourth long-player, Twelve Carat Toothache, appeared in 2022. 

Raised in Dallas, Austin Post loved a wide range of music from a young age and planned on joining a band thanks to the video game Guitar Hero. When his dad gave him a copy of Terror Squad's hit "Lean Back," though, Post decided to become an MC. He hung with Dallas crew the IRAS until a move to the West Coast dropped him in Los Angeles. After putting some braids in his hair, he coined the term "White Iverson," and when he posted the track in early 2015, he hit a million views within a month. Post signed with the Republic label later that year.

In 2016, he released the single "Go Flex" along with his official debut mixtape, August 26th. Months later, his first studio effort arrived. Stoney featured guests ranging from Justin Bieber to Migos' Quavo to Kehlani, peaking at number four on the Billboard 200 and later achieving multi-platinum certification. Following the success of his debut, Post issued the chart-topping singles "Rockstar" with 21 Savage and "Psycho" with Ty Dolla $ign, which reached a combined total of 13-times platinum. Those hit tracks landed on his sophomore follow-up, Beerbongs & Bentleys, which dealt with his rapid climb to fame and all its trappings. The set reached number one upon release and was later nominated for Album of the Year at the 2019 Grammy Awards. Along with producers Scott Storch, PartyNextDoor, Louis Bell, and London on da Track, the dark, introspective affair also featured guest rappers Nicki Minaj, YG, and G-Eazy, as well as the additional radio hit "Better Now."

In between official full-lengths, Post capitalized on his steady ascent in the mainstream, hopping onto the Spider Man: Into the Spider-Verse soundtrack with previous collaborator Swae Lee. Their duet, "Sunflower," topped the charts across the globe and marked a slight pop-smart shift in Post's production. "Wow," "Goodbyes" with Young Thug, and "Circles" all followed, firmly planting him in the Hot 100's upper reaches for much of 2019. This quartet of hits all appeared on his third effort, Hollywood's Bleeding, which recruited guests Da Baby, Future, Halsey, Meek Mill, Lil Baby, SZA, Travis Scott, and even Ozzy Osbourne. His second number one album, the set topped the Billboard 200 for at least five non-consecutive weeks, the most for any artist that year. While "Circles" became his fourth Hot 100 chart-topper at the close of the year, he received a pair of Grammy nominations for his other 2019 number one, "Sunflower," including Record of the Year. Post's 2020 output mainly consisted of guest appearances including on Tyla Yaweh's "Tommy Lee" and Big Sean's "Wolves." He returned to solo work in 2021 with a cover of Hootie & the Blowfish's "Only Wanna Be with You" for the Pokemon 25 album, and his own track, "Motley Crew." The following year, he released his fourth full-length effort, Twelve Carat Toothache, which featured guest spots from Doja Cat, the Kid Laroi, and Fleet Foxes' Robin Pecknold. Dealing with the pressures and pitfalls of fame and fortune, the oft-dour set included hit singles "Cooped Up" with Roddy Ricch and "One Right Now" with the Weeknd. ~ Neil Z. Yeung & David Jeffries, Rovi

Post Malone

Without hesitation, Dj Weedim is one of the greatest artists on the French hip-hop scene. He has this rare talent to deliver rich and impactful productions. Indeed, he has accumulated an incredible number of collaborations, with already established artists and with those of the new generation. He is recognized for his unique work, his remarkable energy, and his efficiency. Dj Weedim produces for a multitude of artists with varied and eclectic worlds such as Roméo Elvis, Alkpote, Vald, Spri Noir, Captaine Roshi, Jok'Air, and many more. The 4 opuses of his famous "French Bakery" bring together 80 artists, rookies, and legends, and offer us music that marked the audience and their era. Always active behind his stoves, the master baker is about to offer us the 5th batch for this year 2022.

Dj Weedim

Alberto Ciccarini is an Italian artist living in Barcelona, Spain. The sound imprint has its roots in exotic and cinematic world; an interesting recipe giving Alberto's music a different vibe in the pop/dance environment. He started his musical project in 2016, by releasing Clorophilla with Blanco y Negro music (one of the leading independent label Spain).The biggest result came in summer 2017, with the release of Look4You (with Sony/disco:wax and Warner Russia. The track reached the top 200 Streams on the Norwegian Chart. In the same year, his track Mohicans (with the featuring of the well known singer Tyler Sjöström) reached the Viral Chart in France. In 2020 he got back with Strangers (ft. Cappa, a singer from L.A who already got huge results with her past releases). &nbsp;

Alberto Ciccarini

Taylor Swift is that rarest of pop phenomena: a superstar who managed to completely cross over from country to the mainstream. Others have performed similar moves -- notably, Dolly Parton and Willie Nelson both became enduring pop culture icons based on their 1970s work -- but Swift shed her country roots like they were a second skin; it was a necessary molting to reveal she was perhaps the sharpest, savviest populist singer/songwriter of her generation, one who could harness the zeitgeist, make it personal and, just as impressively, perform the reverse. These skills were evident on her earliest hits, especially the neo-tribute "Tim McGraw," but her second album, 2008's Fearless, showcased a songwriter discovering who she was and, in the process, finding a mass audience. Fearless wound up having considerable legs not only in the U.S., where it racked up six platinum singles on the strength of the Top Ten hits "Love Story" and "You Belong with Me," but throughout the world, performing particularly well in the U.K., Canada, and Australia. Speak Now, delivered almost two years later, consolidated that success and moved Swift into the stratosphere of superstardom. Her popularity only increased over her next three albums -- Red (2012), 1989 (2014), Reputation (2017) -- and found her moving assuredly into a pop realm where she already belonged. Even when she scaled back her approach with 2020's stripped-down sibling releases folklore and Evermore, she remained atop the pop world, a position she maintained with re-recordings of her back catalog along with Midnights, a moody album released in 2022.

This sense of confidence had been apparent in Taylor Swift since the beginning. The daughter of two bankers -- her father, Scott Kingsley Swift, worked at Merrill Lynch; her mother, Andrea, spent time as a mutual fund marketing executive -- Swift was born in Reading, Pennsylvania, and raised in suburban Wyomissing. She began to show interest in music at the age of nine, and Shania Twain wound up as her biggest formative influence. Swift started to work regularly at local talent contests, eventually winning a chance to open for Charlie Daniels. Soon, she learned how to play guitar and began writing songs, signing a music management deal with Dan Dymtrow; her family relocated to Nashville with the intent of furthering her music career. She was just 14 years old but on the radar of the music industry, signing a development deal with RCA Records in 2004. Swift sharpened her skills with a variety of professional songwriters, forming the strongest connections with Liz Rose. Taylor's original songs earned her a deal with Sony/ATV Music Publishing, but not long after that 2004 deal she parted ways with Dymtrow and RCA, all with the intent of launching her recording career now, not later. 

Things started moving swiftly once Swift came to the attention of Scott Borchetta, a former DreamWorks Records exec about to launch Big Machine Records. Borchetta saw Swift perform at a songwriters showcase at the Bluebird Cafe and he signed her to Big Machine in 2005; shortly afterward, she started work on her debut with producer Nathan Chapman, who'd previously helmed demos for Taylor. Boasting original song credits on every one of the record's 11 songs (she penned three on her own), Taylor Swift appeared in October 2006 to strong reviews and Swift made sure to work the album hard, appearing at every radio or television event offered and marshaling a burgeoning fan base through the use of MySpace. "Tim McGraw," the first song from the album, did well, but "Teardrops on My Guitar" and "Our Song" did better on both the pop and country charts, where she racked up five consecutive Top Ten singles. Other successes followed in the wake of the debut -- a Grammy nomination for Best New Artist (she lost to Amy Winehouse), stopgap EPs of Christmas songs -- but Swift concentrated on delivering her sophomore set, Fearless.

Appearing in November 2008, Fearless was certified gold by the RIAA in its first week of release, and the record gained momentum throughout 2009, earning several platinum certifications as "Love Story," "White Horse," "You Belong with Me," "Fifteen," and "Fearless" all scaled the upper reaches of the country charts while "You Belong with Me" nearly topped Billboard's Hot 100. Along with the success came some headlines, first in the form of an infamous appearance at the 2009 MTV Video Music Awards where her acceptance speech was interrupted by Kanye West, who burst on-stage to declare that Swift's rival Beyoncé deserved the award more, but her romances also started gaining attention, notably a liaison with Twilight star Taylor Lautner, who appeared with the singer in the 2009 film Valentine's Day. 

Her flirtation with the silver screen proved brief, as she then poured herself into her third album, Speak Now. Released in October 2010, Speak Now was another massive first-week smash that refused to lose momentum. Hit singles like "Mine" and "Mean," which won two Grammy Awards, played a big factor in its success not just on the country charts but on pop radio as well. Following a 2011 live album called World Tour Live: Speak Now, Swift turned toward following a pop path on her fourth album, hiring such mainstream musicians as Dan Wilson, Butch Walker, and Britney Spears producer Max Martin. This mainstream pulse was evident on "We Are Never Ever Getting Back Together," the first single from Red. Upon its October 2012 release, Red shattered expectations by selling over a million copies in its first week, a notable achievement that was doubly impressive in an era of declining sales. Once again, Swift's album had legs: it was certified platinum four times in the U.S. and its international sales outstripped those of Speak Now. She supported Red with an international tour in 2013 and more hits came, including "I Knew You Were Trouble" and "22."

As Swift geared up for the release of her fifth album in 2014, she made it clear that 1989 was designed as her first "documented, official" pop album and that there would be no country marketing push for the record. "Shake It Off," an ebullient dance-pop throwback, hit number one upon its August 2014 release. When 1989 appeared in late October 2014, it once again shot to number one and became her third straight album to sell one million copies in its first week (a new record for any artist).

Swift gathered many awards during the subsequent year, including Billboard's Woman of the Year, the Award for Excellence at the American Music Awards, and a special 50th Anniversary Milestone Award from the CMAs. Her 1989 World Tour crossed Asia, North America, and Europe during the last half of 2015, and she won three Grammy Awards at the 2016 ceremonies, including Album of the Year, Best Pop Vocal Album, and Best Music Video for "Bad Blood." At the end of 2016, she released "I Don't Wanna Live Forever," a duet with ZAYN from the soundtrack for Fifty Shades Darker. The single reached the Top Five across the world. Swift returned with her sixth album, Reputation, in November 2017. Preceded by the number one hit single "Look What You Made Me Do," Reputation debuted at number one, and while it didn't replicate the success of 1989, the album did help underscore her popularity while also pushing her toward mature musicality.

Reputation was Swift's final record for Big Machine. In November 2018, she signed with Universal Music Group, which distributed her new albums under its Republic Records banner. The first album in this contract was Lover. Released in August 2019, Lover was preceded by two singles, "Me!" and "You Need to Calm Down," which both reached number two on the Hot 100 and helped push the album to number one. The acclaimed LP and two of its singles received a total of three nominations at the 62nd Grammy Awards.

Swift's plans to support Lover with a tour in 2020 were scrapped due to the COVID-19 pandemic. With some unexpected time on her hands, she wrote and recorded a new set of songs, many in collaboration with Aaron Dessner of the National; Bon Iver and longtime Swift associate Jack Antonoff also contributed. The resulting album, folklore, was released on July 24, 2020, and went straight to the top of the Billboard 200. Less than five months later, Swift released a companion album to folklore called Evermore. Featuring many of the same collaborators as its predecessor, the Grammy-nominated Evermore debuted at number one upon its December 11, 2020 release. Altogether, the sibling LPs planted Swift atop the U.S. charts for a combined 11 weeks, and folklore became the best-selling album of 2020.

In 2021, she began the process of re-recording her back catalog after her Big Machine masters were sold off in 2019, starting with 2008's Fearless. The first of these tracks -- "Love Story (Taylor's Version)" -- arrived that February, with Fearless [Taylor's Version] arriving in April. The new version of Fearless contained cameos from Colbie Caillat, Keith Urban, and Maren Morris, along with several previously unheard tunes originally written during the same time period; it debuted at number one on Billboard upon its release. Swift next revisited Red, releasing Red [Taylor's Version] in November 2021. This revamp of the 2012 album featured new duets with Phoebe Bridgers, Chris Stapleton, and Ed Sheeran, along with a ten-minute version of the ballad "All Too Well." Another re-recording, "This Love (Taylor's Version)" (originally off 1989), arrived in May 2022 and was included in the soundtrack to the coming-of-age drama The Summer I Turned Pretty. 

Swift opened up another chapter in her career with the October 2022 release of Midnights, an album co-produced by Jack Antonoff and featuring a duet with Lana Del Rey on "Snow on the Beach." ~ Stephen Thomas Erlewine

Taylor Swift

Let’s talk about magic. Because music, at its best, is a kind of magic that lifts you up and takes you somewhere else. “I want my music to sound like throwing yourself out of a tree, or off a tall building, or as if you’re being sucked down into the ocean and you can’t breathe,” says Florence Welch. “It’s something overwhelming and all-encompassing that fills you up, and you’re either going to explode with it, or you’re just going to disappear.”

Florence writes her best songs when she’s drunk or has a hangover, because that’s when the freedom, the feral music comes, creating itself wildly from the fragments gathered in her notebooks and in her head. “You’re lucid,” she explains, “but you’re not really there. You’re floating through your own thoughts, and you can pick out what you need. I like those weird connections in the universe. I feel that life’s like a consistent acid trip, those times when things keep coming back.”

Florence herself is a mass of contradictions: she’s tough yet she’s terrified, a bundle of nerves and passion, of darkness and pure joy. “I feel things quite intensely, which is why the music has to be so intense. I’m either really sad or really happy, I’m tired or completely manic. That’s when I’m at my most creative, but it’s also dangerous for me. I feel I could write some good songs, or break some hearts. Or tables. Or glasses.”

As a performer she can seem fearless, but she’s also far too quick to pass judgement on herself. This is the woman, after all who got into Camberwell art college by making a huge floral sign telling herself ‘You are a twat.’ She says she’s a geek, who loses all control when in love. She’s also something increasingly rare and precious in a time of karaoke pop: an artist who has found her own, authentic voice.

Her soaring, epic vocals, quirky melodies and self-contained musical world have already won her the 2009 Critics Choice Award at the Brits. Some compare her to Kate Bush. You’ll also find touches of Tom Waits and Nick Cave in her dark visions, and if you heard a little of Bjork too, she’d find it a compliment. But mainly, Florence is out on her own: an exhilarating place to be, she points out, but also a little scary. 

Her debut album ‘Lungs’ is made of harps, choirs, drums, elevator shafts, bits of metal, love, death, fireworks, string quartets, stamping, sighing, strange electronic wailing, lambs, lions, sick, broken glass, blood, moon, stars, drink, coffins, teeth, water, wedding dresses.. and the silences in between. The songs are full of Gothic imagery, of fairytale flights of fantasy, and although much has been read into her lyrics, Florence says it’s usually simple. “Everything is about boys!” she laughs. “The whole album is about love – and pain. People see my lyrics as crazy, but to me it’s an honest, heartfelt album. I didn’t set out to be wacky. I just want it to be emotive.”

Florence grew up in Camberwell, south London, the oldest of three children. One of her earliest musical memories is standing on top of the trunk where her dad kept his vinyl collection, dancing with him to the Rolling Stones. She started singing along to Nina Simone and Dusty Springfield at home, expanded her vocal range with arias, then became a pre-teen skatepunk before getting lost in the Camberwell art college squat party scene. It’s an eclectic mix, but for her, the common thread is always the emotion. “Anything that has real feeling in it always excites me. Sam Cooke’s ‘A Change is Going To Come’, Eva Cassidy singing ‘Wade In The Water’, even Rhianna’s ‘Umbrella’ – I’m obsessed with music. I’ll play Beyonce, Lil Wayne, Bob Dylan’s ‘Hurricane’, Bruce Springsteen’s ‘Going Down’. 

Florence found her own space by going out to clubs and pubs, by singing onstage and in her bedroom. By the time she left school, she’d already written songs like ‘Kiss With A Fist’, and knew she wanted to make music but not how to go about it. So after a year working behind a bar she went to art school, making tents under the desk to sleep off her hangovers while trying to convince her tutors she was an installation. 

It wasn’t until she wrote the haunting ‘Between Two Lungs’ that it all came together. Instead of percussion, Florence pounded the studio walls with her hands. She built the melody on the piano even though it’s not an instrument she knows how to play, and recorded the backing vocals first, before writing the top line. It’s bonkers and totally unconventional, but of course it is also glorious – a strange but yearning song about losing yourself in love. “I’d found my voice, and I just felt euphoric,” she recalls. “It’s been a real process of me learning that the way I wanted to do it was actually the right way. This whole album has been about having faith in myself.”

As for The Machine, it’s a flexible beast. It can go right down to Florence and a drum kit or a piano, but right now it’s a seven-piece band including long-term collaborators Rob Ackroyd (guitar), Chris Hayden (drums), Isabella Summers (keyboards) and Tom Monger (harp). “I ’ve worked with most of them for a long time and they know my style, know the way I write, they know what I want.”

Live, Florence and The Machine become an entirely different beast. No two performances are ever alike, and clad in clothes often culled from local second-hand shops that day, Florence goes at it like a woman possessed. “It’s just this sense of total freedom,” she says. “It sounds so cheesy, but I want to touch people. Not in a weird way. I just want to help them feel what I’m feeling.”

Florence Welch

Ella Eyre is a British singer-songwriter known for her powerhouse vocals and eclectic mix of genres. She first gained attention as the featured vocalist on Rudimental's hit single "Waiting All Night" in 2013, and has since released her own successful solo music.

Eyre's music is a blend of pop, R&B, and soul, with a strong emphasis on her dynamic voice. She has been recognized for her talent with multiple awards, including a Brit Award for British Single of the Year for "Waiting All Night." In addition to her solo work, Eyre has collaborated with a variety of artists, from DJ Fresh to Sigala.

One of the most exciting aspects of Eyre's career is her live performances. She has a reputation for delivering high-energy, passionate shows that leave audiences wanting more. Tickets to her concerts are highly coveted, and fans are often treated to surprise guests and special moments that make each show unique.

Eyre's commitment to her artistry and her fans has helped her build a loyal following that eagerly anticipates each new release and tour announcement. As she continues to explore new sounds and push the boundaries of what's possible in music, there's no doubt that Eyre will continue to be a force to be reckoned with in the industry. Whether she's performing on a big stage or in a small club, she always brings her A-game and leaves everything on the stage, making her one of the most exciting performers of her generation.

With a double platinum number one single under her belt, a BRIT Award, two MOBO Awards, two further platinum selling singles and a top 5 album, perhaps you’d expect Ella Eyre to rest on her laurels. You couldn’t be more wrong. The four years since her debut album, Feline, have taken Ella around the world on a mission to find herself both as a solo artist and as a person. In the wake of her father’s sudden passing in 2017 she experimented with sounds in the US, found healing and limitless inspiration in her fatherland, Jamaica, and returned to London full of confidence and a hard drive bursting with hits. 

As she’s grown and matured as an artist, so too have her ambitions. Hits are great but she’s now more interested in a long, stable career than she is about hitting the number one spot.

Ella Eyre

Ich bin mir nicht sicher, was ich hier tun soll

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